

Here, for example, our picture-in-picture is in the upper left corner. Most of the time, I suggest leaving these settings alone. However, the default values are considered industry standards.

NOTE: You can adjust the region represented by these two borders by selecting Project > Project Settings > General. Safe Margins – also called Action Safe and Title Safe – are displayed via the Wrench icon in the lower right corner of the Program monitor and Source monitor.Ĭlick the wrench and, from the bottom of the list, select Safe Margins. To reset all the Motion parameters back to their default settings, click the small “hooky-arrow” to the right of the word “Motion.” This is the reset button and it is used throughout Premiere as a settings reset.

What the Position numbers show is the position of the center of the selected image, compared to the underlying pixel grid of the frame. But for video, it makes calculating where to position images a lot harder. NOTE: Like Photoshop, Premiere sets the 0,0 point at the top left corner of the frame. So, to change the position of a clip either drag it when it is selected in the Program monitor, or select the clip in the Timeline and change the Position values in the Effect Controls panel.
Pixel sorter effect windows#
(If this panel is not displayed next to the Source monitor panel, select it from the Windows menu at the top of the screen.) To adjust the size, position, or opacity of a clip – as well as any applied filters – select the clip in the Timeline first, then select the Effect Controls panel. For effects, this means that we always apply settings and effects to the top clip, before adjusting anything below it. This allows you to watch what you are doing in the Program monitor, while making adjustments in the Effect Controls panel.īy default, Premiere displays a video clip at 100% size with 100% opacity in other words, the top clip totally blocks whatever clips are below it. NOTE: When creating effects in Premiere, always put your playhead in the clips you are changing. (In this example, I’m illustrating what trees dream about during winter specifically, summer.) In order to see multiple images at the same time, they need to be stacked in the Timeline and the foreground clip ALWAYS goes on top. A picture-in-picture with a 3D perspective effect added to it.
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NOTE: I’ve created an in-depth video training series covering Adobe Premiere Pro CS6. But, if you are new, there are some tricks here you’ll find useful.)

(If you are an old hand at Premiere, most of this will be pretty basic.
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So, in this article, I want to explain how to use the tools in the Effect Controls panel to resize and move images. Adobe Premiere Pro CS6 changed a lot of things, but it didn’t change how Premiere moves images around.
